As expected, RED clips were not recognised. On the other hand, a GoPro file first converted in GoPro Studio Pro to the intermediate Cineform format was recognised without a problem, even if it did not play in the QuickTime player. For example, I tried dropping an AVCHD file - the bundle OS X makes of it - and EditReady didn’t recognise it, although it did play in the QuickTime player. This first version of the app supports only those formats that you can play in the QuickTime player but that’s not an accurate claim. Let me start with its support for clip formats. As far as the other features are concerned, EditReady is nice too. If you have a lot of ProRes files, you’ll want EditReady - if not for anything else, then surely for its speed. Even when I had Episode running with two extra nodes, EditReady was faster. I compared it to Red Giant’s BulletProof, Squeeze 9 and Episode Engine and it’s a whole lot faster than any of those. It’s transcoding process to ProRes is fast. EditReady looks simple but is pretty powerful - but that’s not why you will want to have a copy.ĮditReady has one huge major appeal. It supports metadata and custom file naming. EditReady transcodes media from any QuickTime compatible format to one of the ProRes or DNxHD formats, as well as to H.264. Note that /etc/cron.* directories are sufficient for most tasks, but crontab ought to be mentioned for more precise control.Divergent Media recently released its EditReady tool, a fast transcoding utility for video production pros.
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